Podcast favorites turned cable late-night hosts known as Desus Nice and the Kid Mero had just sat down for a freewheeling lunch in Pasadena last month when a New York City emergency started blowing up on their phones.īut the moment also coincided with a creative renaissance in the hidebound late-night format. Television ‘Bodega Boys’ Desus & Mero make the leap to Showtime in a new late-night show a bunch of other white men, with the exception of Trevor Noah at “The Daily Show.” An unprecedented succession frenzy saw a bunch of white male hosts replaced by. The last time late night was in such turmoil was in 2014-15, when elder statesmen Stewart, Jay Leno, David Letterman and Craig Ferguson all stepped down from their long-running shows within a period of less than two years. “The thing that’s the most frustrating to me is that I feel like, the world is not all white men, but for some reason, we’ve chosen to give white men the loudest voice in the room,” said Camillo. It all adds up to what Alison Camillo, executive producer of “Full Frontal,” half-jokingly describes as a late-night “recession.”Īnd, like a real-life economic slowdown, it’s likely to hit women and people of color first - even as, somehow, “ Real Time With Bill Maher” remains on the air. Even a veteran like Jon Stewart, who redefined the genre during his 16-year tenure on “The Daily Show,” has failed to gain much traction with his talk show return, “ The Problem With Jon Stewart” for Apple TV+.Īmong the problems facing the genre are the hangover among viewers who grew tired of the remote, audience-free late-night programming of the early pandemic and never came back exhaustion with a news cycle dominated by COVID variants, violent insurrection, inflation, school shootings and climate catastrophe and long-term changes in viewing habits and merger mania across the industry. In April, James Corden announced he would be stepping down from “The Late Late Show” in 2023 the network is reportedly considering replacing him with a panel of hosts.Ī spate of short-lived late-night shows have launched over the past half-decade, only to be swiftly canceled. Last year, NBC canceled “ A Little Late With Lilly Singh” after two seasons, and “Conan” ended its decade long run on TBS with little fanfare. With the unceremonious ends of “Full Frontal” and “Desus & Mero,” it’s clear that late-night TV, which proliferated rapidly during the Donald Trump years as cable networks and streaming services raced to tap into an appetite for fresh satirical voices, is in a moment of contraction. (Neither the hosts nor members of the show’s creative team were available for comment.) Peppered with in-jokes and hyper-specific cultural references, the show brought a sorely neglected Black and Latino perspective to a genre that remains overwhelmingly white and forged a passionate fan base dubbed the Bodega Hive. Rather than following the “Daily Show” formula of graphics-heavy political monologues, “Desus & Mero” was fueled by the crackling banter between its garrulous hosts, who welcomed guests including Barack Obama and filmed on a set resembling the interior of a New York City bodega. In its own statement, TBS described the cancellation as a “difficult, business-based decision” and part of a larger shift in programming strategy at the network, a subsidiary of the recently merged Warner Bros. She praised the show’s creative team for “boldly using political satire to entertain, inform and empower viewers, while embracing critically underrepresented stories, particularly about women” and noted her own role in “paving the way for female voices in what has traditionally been, and continues to be, a male-dominated landscape.” On Monday, Bee released a statement saying that “Full Frontal” would not be returning to TBS in the fall. It turned out to be the last segment the show would ever film. “Because if Republicans have made our lives hell, it’s time to return the favor.” “We have to raise hell in our cities, in Washington, in every restaurant Justice Alito eats at for the rest of his life,” she said in the monologue, recorded in her backyard rather than in her studio because she had tested positive for the coronavirus a few days earlier. Wade last month, Samantha Bee delivered an impassioned call to arms on her late-night show, “Full Frontal.” The night before the Supreme Court overturned Roe vs.
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